Anurag Kashyap’s Raman Raghav 2.0.
When all bets are off, the director tries to turn this violent psycho drama into a story of queer repression. It doesn’t work, of course, because nothing preceding it clues the audiences in about the character motivations. Here, the actors try their best to enact a love scene. They are good, but story they are in isn’t.
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