Writes Roger Ebert: The groom's mother is a postal worker in Brooklyn. The bride's family lives in a seaside compound on Martha's Vineyard so spacious, no neighbors are visible. The bride and groom are in love, but their families are not. That was good enough for "Romeo and Juliet," and it still sorta works with "Jumping the Broom."
This is one of those films during which I notice things I simply decide to disregard. It's a good time at the movies, and an excellent demonstration of why I dislike the word "flawed," which critics use as if they were gazing through jewelers' eyepieces. It's not a perfect movie. The mothers are exaggerated to the point of easy sitcommery. So, OK: We're not going for the sociology. We're going for fun, and if characters are too broad, that, too, can be fun. There's such a thing as being picky, picky, picky, and in this case, Angela Bassett and Loretta Devine have such good timing with their performances that to hell with nuance.
The marriage takes place across the class divide between two African-American families. The Taylors are working class. The Watsons are members of the ruling elite; Mr. Watson basically just stands around posing like a sleek Master of the Universe.
The Complete Review Here.