Writes Mayank Shekhar:
A popular pir (learned man) at a pind (village) in the Pakistan side of Punjab makes a point about tradition. It's like taking the same road everyday, he says. But one
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As for immigrants and how their new worlds influence them, that's natural, inevitable, bound to happen, the pir suggests. You can't be fighting it.
Old man Jehangir (Om Puri), who calls himself George in England, should have been taking these lessons. Instead, his young son Sajid (Aqib Khan) does. His father’s brought him down from a small town Salford to see his Punjabi village -- so he can unlearn his immediate environment, return to roots he’s never known.
“Who holds Zam-Zamah holds the Punjab,” an 18th century line, in Rudyard Kipling's Kim, remains the boy's only text-book relation to Pakistan. He prefers to read The Beano. The writers of this movie are no different.
The dad is also looking for a Pakistani rural bride for his elder son, whose idea of love and beauty is the gorgeous Greek singer Nana Mouskouri. The two sons are decidedly western in thought. As, it turns out, is the pir. He even seems a British actor by the accent. Even the little Pakistani village boy Sajid befriends will seem British to an Indian audience. The filmmakers have clearly not penetrated the culture of the east their British movie’s set against. That’s understandable. It would be tough to.
We’re in the mid-‘70s. This is before Zia’s Islamisation programme took over Pakistan. Though the film makes no reference to its historical time-line. Music is the food of love in these calm, peaceful, dusty countrysides.
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